Madonna's best-known songs are pop landmarks: it's difficult to imagine a world without 'Like a Prayer', Vogue', 'Like a Virgin', 'Holiday' and 'Ray of Light'. But the Queen of Pop is so often celebrated for being cleverly provocative and a tireless boundary-pusher that it's easy to forget she's also a fantastic pop songwriter. This ever-so-slightly underrated 1989 single is a case in point. 'Romeo and Juliet, they never felt this way I bet,' she swoons over an impossibly cute and infectious update of the '60s girl-group sound. It's enough to warm the cockles of even the staunchest misanthrope.

There was debate over the merits of this 2011 track versus those of Queen Bey’s first chart topper, ‘Crazy in Love’. But it’s a no brainer.

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‘Crazy’ is not love, it’s the first blush. It’s a crush, and the music, accordingly, is giddy and one-dimensional. But ‘Countdown’? That’s some real shit. It’s 'Crazy in Love' years later, after the domesticity, after you stop bothering to close the bathroom door. And the tune, the arrangement, is complex, fluttering and diving, able to create a rush from routine. This is the one that will make Blue Ivy weep ages from now.

Brent DiCrescenzo. Kelly Macdonald sits on Ewan McGregor’s bed, cooing, ‘Oh, you’ve got green eyes, oh, you’ve got blue eyes, oh, you’ve got grey eyes,’ as he sweats through cold turkey hallucinations. Can’t hear this refrain without thinking of that scene in ‘Trainspotting’. Bernard Sumner’s daffy lyrical abstractions often stumbled upon genius, as he does here.

‘Temptation’ encapsulates being too pissed-off to notice or remember anything but some lovely person’s irises. It is the inarticulate poetry of clubbing adolescents. Or, an ode to David Bowie. Either way, nailed it. Brent DiCrescenzo.

Perkembangan psikologi anak. Ronald Reagan gets all the credit. In 1987, he stood at the Brandenburg Gate and demanded ‘Tear down this wall!’ Thing is, the first metaphorical sledgehammer was swung into the Wall ten years prior, with this title track off Bowie’s only true Berlin album. Two lovers kiss by the graffiti and razor wire. Bowie, dreaming of escape so hard he wishes to be a porpoise, wails against a romantic wall of sound.

Some songs are about being in love. This krautrock cannonball is testimony to the awesome, world-shaking power of love itself.

Brent DiCrescenzo.