I'm not sure what the people who dumped on this film were expecting, but I found it entertaining. I am a fan of good horror and good satire, so I was able to recognize and appreciate the jokes. True, this film relies a bit much on poddy humor, but at the same time, there is a cleverness in the way all the films being spoofed (and there are many) get twisted together and played with here.

Nonton Online Scary Movie 2 Gratis Cinemaxxi Film Bagus Bioskop Online Movie Sub Indo lk21 IndoXXI. Streaming Scary Movie 2 Bluray Comedy While the original parodied slasher flicks like Scream, Keenen Ivory Wayans's sequel to Scary Movie takes comedic aim at haunted house movies.

Some of the slapstick and sight gags do fall flat, but the movie is quick paced and the satire is fun. If you don't go in expecting Shakespeare, you'll enjoy it. And you might even get some Shakespeare.

Scary Movie is now (it was a little while ago it was Me, Myself & Irene) my favorite comedy of the year. This film gives another word to the spoof/comedy genre, and even though it doesn't make a breakthrough like Airplane!, it is still very, very funny.

Sure it's not for everyone, but for those who have seen all the scary movies parodied in this film (example- Scream, Scream 2, I Know What You Did Last Summer, The Matrix, The Sixth Sense, The Blair Witch Project, Halloween, The Shining, etc) and can enjoy a good comedy, this film is definitely for you. But the plot is unexplainable, but the jokes are.

The spoof follows in the Wayans bros. Tradition (this film is directed by Keenan Ivory Wayans, written by Shawn and Marlon Wayans, produced by all three, and starring all three) of they're last spoof- Don't Be a Menace to South Central While Drinking Your Juice in the Hood. Jokes include a guy who acts very gay but isn't (Shawn Wayans) a pot head (Marlon Wayans) and some other characters (Carmen Electra's cameo is my favorite). Also, the references to movies but not parodies are still funny. Very sick, very crude, very funny.

The funniest film of the year. Like most movie parodies, `Scary Movie' starts out well then begins to head downhill as it exhausts the possibilities of its limited material. Certainly, few genres are as rife for self-satire as the teen slasher films that have proliferated in theatres ever since the early 1980's. Seeing, however, as even some of the earliest `Friday the 13th' and `Halloween' films seem like ancient history to today's core movie going public, `Scary Movie' draws upon more contemporary examples of the genre like `Scream' and `I Know What You Did Last Summer' as its source of inspiration.

In its opening stretches, `Scary Movie' has a great deal of fun parodying the many ludicrous conventions that have long defined these films: the use of 30-year old actors to portray empty-headed, nubile adolescents; the heavy emphasis on teen sexuality and partial nudity; the inane actions of the killer's victims who seem to do everything possible to hurl themselves into dangerous situations; and the oh-so-predictable false scare (usually caused by a leaping cat) followed immediately by the inevitable killer's attack. Directed by Keenan Ivory Wayans and boasting a screenplay concocted by no fewer than six (count ‘em SIX) writers, `Scary Movie' establishes a high speed rhythm and pace that the filmmakers manage to sustain through most of the film's 88-minute running time – though there is a noticeable tendency on the part of the film to lag in the last half hour. Part of the problem could be that, as with most films made up essentially of sound and sight gags haphazardly strung together, it is inevitable that some of the bits will succeed better than others and that, as the movie rolls along, the inspiration will run a little dry and the humor will become less spontaneous and more forced. Indeed, this type of movie genre parody has always worked best when applied in small doses on TV series like `Saturday Night Live,' `In Living Color' and even the `Carol Burnett Show.' Stretched out to full length, such concepts often suffer the curse of diminishing returns. Occasionally, the screenplay edges so close to the limits of good taste that one may question whether or not the material is truly appropriate for the age group at which the movie is obviously targeted. The crudity is actually much more comically effective when it is merely hinted at than when it is so openly spelled out and displayed.

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